Acta Periodica Duellatorum organised a session at the 2016 International Medieval Congress at Leeds this year, entitled ‘Historical European Martial Arts Studies II: The Art of Fighting in Context’, at which I had been invited to present by organiser and fellow scholar-practitioner Daniel Jaquet.
Entitled ‘Depictions of Combat in Medieval Art: The Good, the Bad, and the Ugly’, my talk explored some of the initial findings of my PhD research concerning the way in which combatants are portrayed in medieval artwork of various media. I examined the ways in which the weapons were being held, both in attack and preparation for an attack, and the patterns that have begun to emerge as the data set of visual sources are examined as a whole. I then looked at how the depictions in these works of art compare to the way that combatants are depicted in the fencing treatises. Although a very stats-heavy presentation, it was generally well received.